The Passionate Pilgrim of Titchfield
Hazwan Ariff Hakimi
The Passionate Pilgrim of Titchfield
Event-Space
Studio Brief
Photography Workshop
Video Workshop
William Shakespeare
The Events
1769 Shakespeare Jubilee
1864 Shakespeare Tercentenary Celebration
1964 Shakespeare Quadricentenary Celebration
2012 Stratford-upon-Avon Poetry Festival: Poetry Sunday
Distillation
The Project
Sonnets
Site Studies
Concepts
Tectonic Metaphors
Programme, Spatial Requirements and Arrangements
Design Thesis
Precedents
Shelter for Ruins
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Dovecote Studio / Haworth Tompkins
Norwich Cathedral Refectory / Hopkins Architects
Kolumba Art Museum / Peter Zumthor
Archbishopric Museum of Hamar / Sverre Fehn
Astley Castle / Witherford Watson Mann
Shelters for Roman Archaeological Site / Peter Zumthor
Rehearsal / Gallery Space
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Aldeburgh Music / Haworth Tompkins
Nottingham Contemporary / Caruso St John Architects
The Tanks at Tate Modern / Herzog & de Meuron
Library and Archives
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Beinecke Rare Book and Manuscript Library / SOM
Selexyz Dominicanen Bookstore / Merkx+Girod Architecten
LiYuan Library / Li Xiaodong Atelier
Further Readings
3. Sonnet 127 / appreciation of appearance. The Poet is pleased that The Dark Lady does not use cosmetics to lighten her appearance, but she is not physically appealing to The Poet, for all her sexual charm. (click on image to enlarge)